(Aleph-naught): A play & a plan

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Vernon Press, Feb 10, 2020 - Performing Arts - 247 pages

Aleph-naught is a performative text that creatively harnesses Dinesh’s findings from three of her previous works: Memos from a Theatre Lab: Exploring What Immersive Theatre “Does”, Memos from a Theatre Lab: Spaces, Relationships, & Immersive Theatre, and Memos from a Theatre Lab: Immersive Theatre & Time.

As the latest endeavour in Dinesh’s ongoing commitment to creating socially relevant, immersive, theatrical works, this book contains “A Play” and “A Plan”: a script that can be staged; a plan for how to work with participants (performers and spectators) in the realisation of that script. By using one specific play to address larger questions around staging Immersive Theatre, Aleph-naught is a unique resource for practitioners and researchers who are committed to immersive forms of socially relevant theatre praxis.

 

Contents

The Reception
12
The ProRefuge Activists
20
The Personal Trainer
29
The Publicist
38
The Family
45
The Mentor
53
The Lawyer
61
The Art Therapist
69
RESIDENT 1
84
RESIDENT 3
92
Dear interested performer
148
Dear interested spectator
168
Actor Selection
182
Spectator Selection
197
Actor Training
204
Spectator Training
226

The AntiRefuge Activists
77

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About the author (2020)

Nandita Dinesh holds a PhD in Drama from the University of Cape Town, South Africa and an MA in Performance Studies from the Tisch School of the Arts, New York. Focused on the role that theatre can play during and after a violent conflict, Dinesh has conducted community-based theatre projects in Kashmir, India, Mexico, Costa Rica, Guatemala, Rwanda, Uganda, Kenya, Zimbabwe and the United States.

In 2017 she was awarded the Elliott Hayes Award for Outstanding Achievement in Dramaturgy by Literary Managers and Dramaturgs of the Americas. Dinesh has written extensively about her work, for more information visit: https://chroniclesfromkashmir.org/the-books.

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